ELECTRIC EARL
Cold Facts (1983)
Click white triangle to play song. If the audio player does not work in your browser, try the standard MP3 link. | ||||||||
1. | John Wayne (2:23) | MP3 | lyrics | chords | ||||
2. | Way It Is (2:17) | MP3 | lyrics | chords | ||||
3. | Master of Time and Space (3:49) | MP3 | lyrics | chords | ||||
4. | Husbands (2:54) | MP3 | lyrics | chords | ||||
5. | Reflecting Mask (2:24) | MP3 | lyrics | chords | ||||
6. | Sanity (4:41) | MP3 | lyrics | chords | ||||
7. | Angeline (2:44) | MP3 | lyrics | chords | ||||
8. | Mansworld (2:13) | MP3 | lyrics | chords | ||||
9. | You Need A Villain (solo version) (3:34) | MP3 | lyrics | chords | ||||
BONUS TRACKS: | ||||||||
10. | John Wayne [live, 4/27/87] (2:19) | MP3 | lyrics | chords | ||||
11. | Comin' Back Home (4:38) | MP3 | lyrics | chords | ||||
12. | Way It Is [solo demo] (0:00) | MP3 | lyrics | chords | ||||
13. | Millions (3:40) | MP3 | lyrics | chords | ||||
14. | Dusk [instrumental] (2:48) | MP3 | ||||||
15. | Hurry Up, Liza [live, 5/28/1983] (3:00) (based on "Lil' Liza Jane") |
MP3 | lyrics | chords | ||||
Total time: 46:44
CREDITS
# | title | musicians / singers |
---|---|---|
1. | John Wayne | EARL: vocal, guitar, bass, drum machine This song was my reaction to John Wayne's book America: Why I Love Her. |
2. | Way It Is | EARL: vocal, guitar, bass, drum machine In Betty Friedan's famous famous book The Feminine Mystique, she talked about "functionalism," the belief that - as I say in chorus of my song - the way it is is how it's meant to be. This philosophy has long been used by social conservatives to keep women in their place, and now it's a common argument against gay marriage. |
3. | Master of Time and Space | EARL: vocal, guitar, bass, drum machine |
4. | Husbands | EARL: vocal, guitar, bass, drum machine |
5. | Reflecting Mask | EARL: vocal, guitar, bass, drum machine |
6. | Sanity | EARL: vocal, guitar, bass, drum machine |
7. | Angeline | EARL: vocal, guitar, bass, drum machine "Angeline" had nothing to do with L.A. billboard queen Angelyne, who I'd never heard of until I moved to California seven years later. The original inspiration was Groucho Marx's girlfriend Erin Fleming, who I felt was being unfairly deprived of the money that Groucho left her in his will. |
8. | Mansworld | EARL: vocal, guitar, keyboard bass, drum machine |
9. | You Need A Villain | EARL: vocal, guitar There was a bar in downtown Baton Rouge called The Industry, where they used to have punk and New Wave bands. I even played there myself a few times. And outside on the sidewalk, there would be these religious nuts waving Bibles at the clientel and warning of eternal damnation. I believe the ringleader was Rev. David Diamond, trying to make a name for himself. (Based on the few results that a Web search turns up, he never succeeded.) Leaders using "enemies" - real or imagined - to advance their own agendas is something that Aleksandr Solzhenitsyn talked about in his books. A more fully produced recording of this song can be found on Holiday On Mars (1987). |
10. | John Wayne [live] | Electric Earl & the Electrons at The Bayou in Baton Rouge, featuring: EARL: vocal, guitar "JOHNNY" WELLS: lead guitar HERSCHEL ALLOR: bass JAMES FOGLE: drums Band member Meredith Chinn did not play on this song. This is a mono recording from the P.A. mix by Pete Bryan. |
11. | Comin' Back Home | EARL: vocal, guitar |
12. | Way It Is [solo demo] | EARL: vocal, guitar |
13. | Millions | EARL: vocal, guitar |
14. | Dusk | EARL: guitar |
15. | Hurry Up, Liza | EARL: vocal, guitar This performance was recorded at FestForAll in downtown Baton Rouge. |
Engineered and mixed by Electric Earl. Recording dates: November 10-11, 1983 (track #1-9), 4/27/1987 (track #10), 4/17/1983 (track #11-14), 5/28/1983 (track #15) The original cassette version of this album had track #1-5 on side one, and #6-9 on side two. In 1983 I started using the stage name Electric Earl for my live shows. However, I continued to use my full legal on recordings for several more years. The working title for this album was Hold the Phone, after the catch-phrase made famous by "Amos 'n' Andy." But I dropped that idea because I couldn't find any interesting graphics for that theme. At the time I was reading a lot about Eskimos, and decided to use that visual concept instead, with the double-meaning Cold Facts as the title. All words and music by Earl P. Reinhalter, except "Hurry Up, Liza" is based on "Lil' Liza Jane." |
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This page established: March 8, 2009
Last updated: March 9, 2023
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